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Chambers for A Memory Palace (MIT Press), by Donlyn Lyndon, Charles W. Moore
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This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations -- the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed. Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In "Axes that Reach/Paths that Wander," Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In "Orchards that Measure/Pilasters that Temper," they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places.
- Sales Rank: #821610 in Books
- Brand: Brand: The MIT Press
- Published on: 1996-02-28
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .75" w x 6.13" l, .97 pounds
- Binding: Paperback
- 336 pages
- Used Book in Good Condition
From Publishers Weekly
In a "conversation in letters," two distinguished architects informally discuss architectural forms and embellishments in famous buildings and recent constructions. Here, a determined novice can learn how the concept of an axis affects the visual and structural presence of a building, as well as the impact of diverse domes, pillars, arches, terraces, courtyards and gardens. Each chapter (or, as they call it, "chamber") focuses on one theme, jumping between past and present, between Italian hill towns and San Francisco, between Spanish mosques and Disneyland. They discuss the Taj Mahal; the Hagia Sophia; mad Ludwig's castle, Neuschwanstein in Bavaria; the great Mosque at Cordoba; the Salk Institute in California; and an enormous number of other interesting structures, both familiar and lesser known. Illustrated throughout with deft sketches of the subjects discussed, the book is a prize for anyone fascinated by architecture. Moore, who died in 1993, was professor of architecture at the University of Texas; Lyndon is professor of architecture at UC Berkeley.
Copyright 1994 Reed Business Information, Inc.
Review
Offers as good an introduction to the way architects look at, and think about, the world as any I have read...There are treasures enough in this chamber to delight anyone interested in architecture.
(Richard Weston The Architects' Journal ) From the Back Cover
An engaging and heartfelt dialog between the two authors, constructed as an exchange of letters in which the architects trade observations on the design of places they love and believe to be significant and instructive.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Edwin L. Smith
I'd buy any book authored by Charles Willard Moore
3 of 3 people found the following review helpful.
Design +
By Patricia M. Jensen
An interesting format for a discussion of design principles with beautiful pen and ink sketches. Imaginary letters written between two architects discussing well known and not so well known buildings that illustrate proportion, paths, angles and why they appeal to our eyes and hearts. Recommended by a designer whose course I took. A very pleasing book.
1 of 1 people found the following review helpful.
Good to start with
By Nuaman
The book is good to start with, it was the first book that was required in my first class or arts (architect) 11A at UCB, it helped a lot in showing different types of drawing styles. It is a good book to start with, its just like an intro for art students.
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